female poets 2019
Elsewhere on social media, Twitter has also amplified the power of a single poem’s impact, from Maggie Smith’s Good Bones capturing the bleak fear of a world that’s “at least/ fifty percent terrible”, to the late Mary Oliver’s now much-repeated exhortation “Tell me, what is it you plan to do/ With your one wild and precious life?”. The cliché that boys are better at math collapses before the diamond-hard mind of a grad student whose relentless attempt to prove a legendary hypothesis exposes a deeper algorithm about herself. If you don’t answer its call, you sense that it will sink Arising in part from Josef Albers’s pioneering idea that our perception of colors shifts based on their proximity to other hues, Diehl’s richly textured, kaleidoscopic Künstlerroman centers on a wistful painter returning to Düsseldorf, Germany—where three decades earlier she fell in love and emerged as an artist—to attend her former mother-in-law’s funeral. Collins’s propulsive spine-tingler uses the conventions of historical fiction but infuses the genre with edgy beauty. Create a free website or blog at WordPress.com.
Maybe lurking Why? with friends and have wonderful hours among them,
And seen my Brain – go round – “When my brilliant, generous brother vanished in a plane crash, an invisible hand crushed my lungs,” she has said.
Years after a traumatic event in her adolescence prompts Sophie to relocate and change her name to Anna, it seems life as an Edinburgh housewife and mother holds the peace she’s long been seeking. To read Nussbaum’s indelible musings on the boob tube—“a two-decade-long argument about television,” including never-before-published pieces—is to view the medium in all its glorious potential, hubristic pratfalls, and transportive magic. She dropped into a coffee shop, pulled out her laptop, and began a novel about Toby Fleishman, a doctor whose wife has split, leaving him to deal with their kids and the neighborhood moms who now see him as The Bachelor.
But the thrilling rise of poetry isn’t just down to social media.
Left: Deb Spera’s great-grandmother’s apron, quilt, and marriage certificate; her mamaw’s iron skillet; her cousin Junie Bug’s crocheted creatures. Like Patti Smith, DiFranco is an auteur for whom music just happens to be one form of expression. Whether the medium is page, stage or screen, it’s undeniably a brilliant time for poetry. to need a little more time on its own. and set the wheels in motion for a story Change ). and onto airplanes and into cars, strange rooms and and furtive shadows creep across the lawn.
cucumber sandwiches on the well cut lawn light, cold into warm, known into Whether writing on the miners’ strikes, the significance or place, or the daring legacy of female mountaineers, her poems remain nimble, energetic and bracing.
And nothing tells die name it bore whose phantom fingers creep across the skies There are all sorts of reasons for this sudden surge of success, from living in an age of acute political uncertainty, to increasing access to a range of diverse voices, to a general hunger for work that effectively distills modern life and opens up new worlds. With the rest It boards the ferry and leans on the motel desk. he’ll stumble in, alone afraid. every airport, train station, bus depot, café, cinema,
The Lives of the Female Poets is one of their single-poem Shots series, and tells the stories of female poets who have been erased from history and the canon.
and i will show, through this thick air— O wind, rend open the heat, From editing an anthology of Muslim women’s writing (recently picked as the next read for Emma Watson’s book club) to penning essays on clothes and identity for The Good Immigrant, Mahfouz stretches her words to many ends. Moving poetry selected by women including Judi Dench, Chimamanda Ngozi Adichie and Elena Ferrante. Spend any amount of time browsing on the Poetry Foundation’s website and you’ll be immersed in a whole galaxy of thrilling contemporary work. Keane’s is an Updikean epic of intertwined families destabilized by grief and estrangement following a mother’s breakdown, then redeemed by their enduring compassion for one another. Read an exclusive excerpt here. For Treason – in the Pound –, Himself has but to will And easy as a Star
today
This season the biggest, juiciest, smartest, saltiest reads have sprung from the minds of writerly dames both established and emerging. Written after the death of Mina’s own son, this thoroughly au courant thriller from a master of tartan noir is a page-turner with depth and soul, and proves the truth that a lie never lives to be old. In this vibrant, polyphonic first novel, set in South Carolina in 1924, three protagonists—the wife of an abusive man, a former slave, and a plantation matriarch—combat the sinister legacy of their community. You may be able to find more information about this and similar content at piano.io, Latina Entrepreneur Shares Bilingual Stories, Mariah's Memoir Is Her Most Personal Work Yet, Oprah and Jenna Bush Hager Talk Book Clubs, Read a Review of a New Sylvia Plath Biography, Review: Jess Walter's "The Cold Millions".
through into something else.
Tinyletters like Close offer poems and essays direct to your inbox, while live readings and performances continue to flourish. Left: Artifacts from Casey Cep’s many trips to Alabama, and the hotel pens and yellow pads she used to take notes.
A generation after she published To Kill a Mockingbird, Harper Lee traded Manhattan (where she’d holed up, hermitlike) for her native Alabama to sit in on a stranger-than-fiction trial, vowing to write her own In Cold Blood. It’s particularly interesting – and heartening – to see this trend being fueled by women, especially younger ones. Were there photos, or news clippings, or quotes, or books, or music that kept them engaged, that kept them inspired, that fed their imaginations and helped them create the books we’re thrilled to share with you now? How would you replace it? the end is anchored where the story starts –, the curtains rise, the cast appears: it starts Yrsa Daley-Ward’s first collection Bone resonated widely with its pithy, raw evocations of love, loss, hunger and resolution, and was hailed by Florence Welch as a work that “sweats and breathes before you”.
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“She was trying to figure out so much: how to be a writer, whom to love, where to live, how to navigate a foreign country and the growing threat of World War II.” Fittingly for the artist at the story’s center, Wieland’s novel, about Bishop’s time in the City of Lights, is an achingly introspective marvel of lost innocence.
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